Thanks for reading and for question, Jim. Are you aware of any researchers who are tracking this? The Apache connection is really interesting and does actually have some fascinating historical links. I also have a friend in SMA who has lived there for decades. Luna, Jennie Marie. You are commenting using your WordPress. Contrastingly, Ribas describes the mitote, another prevalent form of indigenous dance, as an acceptable dance that has been reconfigured for Christianity:. Tucson: University of Arizona Press. The most prevalent forms that fall under this category are conchero and the mitote, as described by Ribas.
Since the 's, Mexican dance teachers, notably Florencio Yescas and with certainty of things since the birth of General Don Florencio Gutierrez and myself. .
Editing: Stuart Hanna Robin Inlander Siri Gian Khalsa Pacho Lane. On-Line. recording available that features audio and video is the “El es Dios” . In Theory and Method in Historical Ethnomusicology () editors Jonathan McCollum. The Danza Azteca Florencio Yescas brought to Southern California was.
Video: Florencio yescas video editing Video Editing (for non-editors)
Tlazcamati to my maestro and spiritual grandfather, Florencio Yescas. In their preface to the four-volume edition of the Codex Mendoza, Frances A DVD disk of various videos of Danza Azteca ceremonies to contextualize the.
Like this: Like Loading Armijo has utilized her therapeutic skills and experience by providing health prevention presentations and conducting healing councils to girls and women who were victims of trauma and relationship violence.
Jerry Tello is a father, grandfather, son, brother and relative of many. It was my perception the dance steps performed by these concheros approximated those of the tribal groups they had chosen to costume themselves as. Email required Address never made public. The difficulty of this conclusion is that it offers no viable means for modern practitioners to assert a line of continuity, drawing a hard line between transformations and breaks in tradition.
The Spanish relationship with indigenous dance cannot be described adequately with rigid terminology, as it varied by region and tradition, and its depiction depended upon the individual chronicler.
The Role of Interpretation in Determining Continuity in Danza Azteca History – [ ]
Florencio yescas video editing
|Finally, in collaboration with the American G. It is well established that the songs and psalms he [the devil] has composed are the cave, the forest, the thorny thicket where this accursed adversary now hides.
Poveda Pablo. Aguilar, Mario. There are Matachines dances that far north, so perhaps it is connected with that tradition instead? Over the last 40 years, he has dedicated himself to the service of individuals, families, communities.
Armijo, for over 30 years, has combined traditional music, dance and healing arts to work with people of all ages.
Gracias a Carmen Alvarez for editing my Spanish and accents! Florencio Yescas (see Appendix 9), a danzante from the barrio of Tacuba. 64 in “the very word palabra means that dancers will need to speak to each other, as videos or. Tlazcamati to my maestro and spiritual grandfather, Florencio Yescas. 67 In their preface to the four-volume edition of the Codex Mendoza, Frances A DVD disk of various videos of Danza Azteca ceremonies to contextualize the.
There is a chapter in Dancing Across Borders by Rene Castellanos that looks at how the Apache dance groups have changed dress and style to mirror Native North American dress——or at least popular stereotypes of it.
Through this process and the conversion narrative it invokes, syncretism allowed for the survival of the tradition, transitioning it from a potential threat in the eyes of the early colonial powers to a form of worship condoned by the Church.
Dissertation, University of Colorado. The different perspectives on these significant periods in the history of the dance contribute to its narrative and further complicate its already complex history as a pan-Indian dance style.
Read more of her work at here — blog link.
Norma E. the s, particularly through the influence of teachers like Florencio Yescas. Edited by Arthur J.O.
Anderson and Charles E. Dibble. Aztec Dancer editorial image. Florencio Yescas Aztec. Aztec. Florencio Yescas. Florencio Yescas ~ The first danzante to bring traditional Aztec Danza to the.
Might other undocumented traditions have survived to witness this separation, and how would such survival be determined?
You are commenting using your Facebook account. Armijo has utilized her therapeutic skills and experience by providing health prevention presentations and conducting healing councils to girls and women who were victims of trauma and relationship violence. Dissertation, University of California Davis. The challenge of finding documentation on indigenous dance traditions and discovering how many of these traditions may have survived into the present is that if a tradition appears documented in a colonial era source, it often represents the discovery and subsequent destruction of a tradition and its line of transmission.
Although in the past it was dedicated to gentile purposes, now it is a Christian celebration dedicated to the honor of Christ Our Lord, King of Kings.
Who We Are Sacred Circles Center
The recent transition from conchero to danza as performed in the United States took its current form during the period of the s through the s, particularly through the influence of teachers like Florencio Yescas.
Florencio yescas video editing
|On one hand, the Spanish were wary of indigenous music and dance as vehicles of religious meaning; yet, on the other, they were fascinated by the colorful displays and masterfulness with which the indigenous performers practiced their art.
Although in the past it was dedicated to gentile purposes, now it is a Christian celebration dedicated to the honor of Christ Our Lord, King of Kings. Ribas emphasizes its appropriateness as a Christian festival by highlighting its relationship to the Church and the reconfiguration of indigenous symbolism for Christianity.
Notify me of new comments via email. That is pure conjecture, and it would be interesting to know how those connections are being established. After graduating from high school, she was blessed to be invited to learn under the guidance of Maestro Florencio Yescas, a master teacher of indigenous Aztec Dance and ceremony from Mexico, and has performed across the world.